But this critical consensus began evaporating with the release of a number of games that polarized adventure game fandom. Probably the first to do so was Myst; followed by Phantasmagoria, the second and third Gabriel Knight games, the last two King's Quest entries... and so on. Each of these games has a very strong following. But each has also been reviled for such crimes as "dumbing down" the genre, having ridiculous plots, bad production values, illogical puzzles, being too short, to easy, too hard; the list goes on and on. Even more traditional offerings, such as those from Microïds, have drawn mixed feelings from old school adventure gamers.
Well, parts of it look pretty.
What's all this leading up to, you ask? While preparing for second half of Chrontendo's history of adventure games, I found myself playing, for the first time, the most controversial game the genre has ever produced: Roberta Williams' Phantasmagoria. I first recalled hearing of it back in the 90s, when it was known primarily for its violent, sexual content, its breathtakingly realistic digitized graphics, and the fact that it was a harbinger for the forthcoming transition of video games from mere entertainment to art. 15 years later, it has a much different reputation: more of a "what the hell were they thinking?" sort of reputation. One of the charges levied at Phantasmagoria is pandering. Pandering towards to the non-gaming crowd by reducing the number and complexity of puzzles, adding a game-spoiling hint system, and tossing in some cheap skin and gore passed off as "mature" content. Aside from that, the game's poorly acted low-rez FMV scenes appear hilariously dated by today's standards.
Other parts, not so hot.
I was quite surprised, then, to find that I actually liked playing Phantasmagoria. It's certainly not the most sophisticated adventure game Sierra produced. The plot isn't too original: young couple buys old, secluded, mansion; mansion turns out to have a violent and disturbing history; forces of evil return to haunt young couple. (In this case, the previous owner, a magician named Carno, unleashed a demon, got possessed and killed several wives in quick succession. The new owners accidentally free the demon, and the husband gets possessed.) The puzzles are pretty simple and mostly involve finding typical adventure game items such as keys, old books, mysterious broches, etc, and then using them on the corresponding locked doors and secret entrances. You also need to frequently talk to members of the game's relatively small cast in order to advance the story. The game world is quite small and you can breeze through the game pretty quickly if you know what you were doing.
A mysterious sealed up room. Every home should have one.
But still, I found the spooky house setting to be pretty enjoyable, what with all the hidden rooms, underground passages and secret crypts and chapels. The whole tantalizing "locked door" ploy goes way back in video games; we've seen used in every Dragon Quest game so far. However, I think the whole "exploring the house" thing might have some inherent psychological appeal for me. Unusual houses are a recurring element in my dreams, and I often dream that I find hidden, unused or forgotten areas in a house. In a game purportedly aiming for psychological realism, however, it seems a bit absurd. Who would buy and move into a house in which large parts were inaccessible? Didn't they do a walk-through? What about an inspection?
A perfect starter home. Three bedrooms, two baths, and a gigantic auditorium-sized room which we cannot show you because its oversized ornate doors are locked.
Early FMV games tend to be mocked for cheap production values and bad acting, and Phantasmagoria has those in spades. Or at least seemingly cheap production values. An enormous amount of time an money was spent on the game, months of filming were required and professional actors were used. A huge choir was needed to perform the game's opening musical piece, a dramatic "O Fortuna"type piece of music (that video game reviewers like calling a "Gregorian Chant" for some weird reason.) It was Sierra's most expensive game by far, but also its best selling game at that point.
FMV games usually tried to rope in one familiar name or face, and here it's 1960's sex symbol Stella Stevens, playing a bit part as an antique store owner. Most of the other roles are taken by TV and stage actors such as Robert Miano, whose Bronx accent made him well suited for gangster roles, but who sounds a little strange as a 19th century magician. But despite and money and talent funneled into Phantasmagoria, the FMV scenes still look and sound awful, and some really terrible performances drag the whole thing into camp territory. Presumably the blame can be lain at the feet of director Peter Maris, whose filmography consists entirely of Z-grade action and horror movies.
She just witnessed a terrifying vision in a mirror of a woman murdered with a jagged wine glass to the face, yet she seems only slightly concerned.
But the cheesy FMV and over the top performances just add to the game's goofy appeal. Throw in some surprisingly gruesome death sequences, and you've got the video game equivalent of Troll 2, or maybe The Wizard of Gore. If bad acting and laid-back game play were all that was wrong with Phantasmagoria, I'd give it my unqualified recommendation. Though the game falls apart at the very end, with a long FMV chase sequence that requires you to quickly perform a series of actions at key points in the video, with failure resulting in death. A lot of folks hate quick time events and pixel hunting. I don't mind them too much separately, but put them together, add in a small, grainy, dark video image, and you have a recipe for game induced rage. As further proof that one man's treasure is another man's trash, several reviews of the Phantasmagoria pointed out the final chase as the highlight of the game.
What do you do? Use the hammer? The poker? The evil book? You have 1 second to decide.*
Furthermore, it's quite easy to miss many of the FMV scenes. The bloody murder scenes, which are basically Phantasmagoria's money shots, are normally triggered by examining a particular place or object. Sounds simple enough... but, the catch is that Phantasmagoria is spread out across seven CD's: one for each chapter. Each disc can only hold a limited amount of video, which means you have limited opportunities for accessing those FMVs. Checking a mirror on disc five will trigger a cut scene, but checking the same mirror on the other six discs will do nothing. If you accidentally trigger the event that starts chapter six before checking that mirror, then you're SOL (at least as far as I know.) So, it's quite easy to miss much of the game's non-plot essential content.
I can at least console myself with the fact that not everyone in the world hates FMV games across the board. Not that long ago, Sketcz over the HG101 blog posted a lengthy three-part entry on his love of FMV games, which (I assume) is somewhat tongue-in-cheek. Still if there are human beings willing to publicly bestow the likes of Sewer Shark with a four star rating, then I'm willing to state that I think Phantasmagoria is pretty decent.
I just bought a house with a functioning electric chair. What could go wrong?
Postscript: Sorry for being away from the blog for a bit, but I've had to take in one of my mother's dogs, since it was not getting along with her other dog. Also: dealing with my mother-in-law's post surgery recovery. She has now temporarily moved in with us, which is going to require some major adjustments on my part. If there is an extended period of silence in the near future, it probably means I've been arrested for murder.
*As a matter of fact, in this particular screenshot you are screwed, since you didn't get the toy snowman (you're also missing the rosary.) You would think that while being attacked by a demon-possessed dude, a blunt object or holy object would be the logical choice. But no... you need to use the snowman on him.
